Monday, December 19, 2011

Ask Matt: Globes Weirdness, Dexter, Person of Interest, Charlie Sheen, and More!

Jim Caviezel, David Costabile Send your questions to askmatt@tvguidemagazine.com and follow me on Twitter!Question: I often appreciate the Golden Globes because they show greater range in the nominations than the Emmys, which tend to nominate the same people long after the bloom is off the rose. However, this year's nominees are just weird. Boss and American Horror Story instead of Breaking Bad, Justified or The Good Wife (or Friday Night Lights, if it was eligible)? Callie Thorne? Jeremy Irons? David Duchovny? Of the five nominated comedies, only two (Episodes and Modern Family) seem to be fitting. The Middle, Community, Parks and Rec, Big Bang Theory and Cougar Town deserve praise ahead of the others (especially the highly problematic Glee). I know that the Hollywood Foreign Press tends to be eclectic in its choices, but this is somewhat ridiculous. What do you think? - ErinMatt Roush: Somewhat ridiculous? Try laughably. This group is so desperate to seem with-it that once again, they end up lacking any credibility whatsoever. I'm all for including new blood into an awards mix, but this year's transfusion went way overboard. Embracing niche shows like the dismal Boss over the spectacular season of Breaking Bad (among the other terrific dramas you pointed out) or the peculiar Enlightened over the best of NBC's Thursday night comedies goes beyond head-scratching. If we didn't know better, we'd think they were being incredibly elitist instead of merely desperate in their slavish embrace of cable (especially the pay channels). But at least they acknowledged Homeland, which is more than the astonishingly lazy SAG Awards nominations could muster last week.Question: I saw the Golden Globes nominations and was quite surprised to see American Horror Story got the nod over The Walking Dead in the best drama category. I like American Horror Story (I know you are not a big fan), but I love The Walking Dead and think it is a much better show. What are your thoughts about this? - CathyMatt Roush: Obviously I agree with you. The first half of The Walking Dead's second season wasn't perfect - even I got restless toward the end of those episodes on the farm, though the final sequence was as powerful and disturbing as anything the show has ever done - but at least it seems to be about actual humans in a truly horrific situation. And when it goes for the jugular, it's truly frightening, because it feels like there's something truly at stake. Whereas American Horror Story is just a lurid sick joke badly told, and the only nominations I'm on board with regarding that show are those saluting Jessica Lange's wildly entertaining performance - she runs circles around everyone, and if the rest of the cast were on her level (Denis O'Hare comes close), they might be able to salvage the dreadfully obvious and vulgar writing. I've always loved the horror genre when done well, which is why I'm rather dismayed (but in a way, almost amused) to see people egging on this indulgent train wreck with nominations and Top 10 mentions.Question: I am assuming with awards season around the corner, due to its schedule everyone will forget what a great final season Rescue Me had. - GlennMatt Roush: You're probably right. But I hope you saw our Cheers & Jeers year-end issue, where we singled out Rescue Me among the year's finest series finales (along with Friday Night Lights, of course). But it really isn't so much about the timing of the final season as much as the perception that Rescue Me had peaked a few seasons ago. Which is mostly accurate. And while the show did regain much of its power in its final season, it probably wasn't enough to get back on many people's radar, especially those handing out awards, who generally are more keen on acknowledging shows that still have a future.Question: I know "jump the shark" can refer to a show's general decline in quality, but for me it means the introduction of a plotline so outrageous or clichéd that we can no longer watch and suspend disbelief. I have been thinking about shark-jumping ever since I saw Deb's dream sequence on Dexter last week. And I want to know: Is it me, or were the writers winking at us as they water-skied over the cage? The Dexter writers seem too savvy to me to have made this plot decision without knowing how viewers might react. The dream sequence itself seemed deliberately scripted to remind of us of every other romantic dream sequence we've ever seen in films or TV, so that viewers knew long before the cut to Deb in bed that it was in fact a dream. And in a show about a single dad/vigilante serial killer, who hides in plain sight in a homicide division forensic lab (where his adoptive sister is a cop), who talks to a hallucination of his dead adoptive father, who has murdered people just yards away from colleagues and who has shared Thanksgiving dinner with another serial killer's family, I suppose one could ask whether any plotline is too outrageous. But then I could be giving the writers too much credit. I am withholding judgment on this plot twist until I see the finale, but I am really curious to read what you think. - Michelle WMatt Roush: My own notes during that dream sequence of Deb and Dex getting uncomfortably intimate read: "STOP IT! NO!!" followed by a few "ewwwwws" for good measure. But as we now know (SPOILER ALERT for those who haven't watched Sunday's finale yet), this icky epiphany was a set-up for the long-awaited climactic twist of Deb finally discovering the truth about her adoptive brother (and, in her mind, the love of her life: again, ewww), that he's a murderer of murderers. I agree with you that the way last week's dream sequence was filmed made it obvious it was a tease, so there was a wink (and perhaps a leer) implied. And in the finale, when Deb cried to her therapist, "Is this just horribly wrong?" any viewer with sense had to be screaming back to the screen, "Yes!" The therapist, as they so maddeningly do, merely prodded her, "Does it seem wrong?" So I guess my knee-jerk answer to your question is that if this is the catalyst the show needed to clue Deb in on Dexter's secret, maybe it was worth it. Because I have to think the sight of Dex plunging the knife into Travis' chest kind of spoiled the mood, don't you think? I guess we'll find out next season.Question: I'm a huge fan of the new CBS crime drama Person of Interest. I have been a great admirer of Jim Caviezel and Michael Emerson, who has always impressed me. I love the story lines and think it is the best show to come out in a long time, but it has not raised that much popular support and the ratings, while good, are not as great as CSI. What are your thoughts about the show and do you think it will be granted a second season, because it feels like the best shows get canceled. And also what are your views on the final season of Chuck, and do you think it's a possibility that it gets a back order to reach the 100-episode mark? - IshaanMatt Roush: I wouldn't worry about Person of Interest. It's not quite a breakout hit, but it's performing solidly on Thursday, and has been picking up steam lately, both in the ratings and creatively. The last few episodes, introducing the Elias nemesis and bringing Detective Carter closer to the worlds of Finch and Reese, have been very strong and surprising. It's not as conventional as many of CBS's procedurals, which may ultimately work against it being as popular, but I don't see CBS dropping it when the network has so many long-in-the-tooth series waiting to be put out to pasture over the next few seasons. Regarding Chuck: There is no possibility I can imagine where it will continue past its scheduled finale (titled "Chuck Vs. the Goodbye") to reach any other sort of milestone beyond the miracle of scoring this shortened fifth season. Which I'm sorry to say feels like a misbegotten one. My fondness for this series waned a while ago, though I stayed with it through last season, and watching the first few episodes of this season put me off so completely I had no inclination to go the extra mile to follow it through on Fridays (where I'm already trying to keep up with more intriguing and/or fresher low-rated shows like Fringe, Nikita, Supernatural and Chuck's new NBC companion Grimm).Question: I'd like to get your opinion on the departing Desperate Housewives, which I see you haven't really addressed so far. I know you've been quite critical of the show in the past and with good reason. With the exception of Seasons 1 and 4 (thanks primarily to Dana Delaney), the show has been, at best, uneven. I found Season 7 particularly frustrating. Susan's storylines as well as the Gaby baby switch drama were completely out of step with the tone of the show, and with the exception of the season finale, most of the season felt like a rushed and empty effort. I've stuck it out with the show despite its problems, because there are a few episode gems to be found amongst the terrible ones.When this final season of Desperate Housewives started out, I was under the impression that it may unfortunately go the same way as the other seasons. But over the last couple of weeks, it seems to be picking up a significant amount of steam. For one thing, the murder mystery might not be the best the show has ever had, but at least it's given us an opportunity to see the housewives working together or, at least, interacting with one another more than usual (the Bree/Gaby moments have been a particular highlight). Also Marc Cherry, Bob Daily and Co. seem to be doing a nice job of bringing the show back to its roots by bringing Mary Alice back into focus, particularly in the last episode with the Bree suicide cliffhanger. What do you think? Has Housewives got a chance of going out with a bang? - AdamMatt Roush: A "bang" sounds a little hopeful for a show that lost its oomph quite a while ago, and which lost me for good last season. I tried watching the first few episodes of the season, but much like the Chuck situation, felt the show was running on fumes (and not very enjoyable ones), so haven't been keeping up. (With terrific shows like Homeland, The Good Wife and Once Upon a Time on Sundays, there are much more satisfying options.) I do agree with you, though, that any storyline in which the ladies of Wisteria Lane are operating in tandem instead of in separate universes tends to make for a better season. And the Mary Alice element does bring the show nicely full circle. I will probably rejoin Housewives at some point closer to the end of the season so I can prepare a proper eulogy. Maybe Chuck, too, both being series I enjoyed during their long-ago peak. (And I stayed loyal to both long after the point of it making any critical sense.)Question: I won't argue the cutesiness of Hart of Dixie, but it's not phony: It's just set in another universe. Bluebell is to Alabama as Stars Hollow is to Connecticut, but eleventy-seven times more so. A little gentle chivalrous sexism lives on, but racism and its legacies are erased by the warm sun and the gentle breezes off the Gulf of Mexico. Everybody eats in the same restaurants, sees the same doctor(s), celebrates the same daft holiday variants in that precious little town square. Dogwoods bloom just in time for the Alabama-Florida football game. The mayor, a former NFL star (Cress Williams, really?), lives in the old plantation house and has a pet alligator named Burt Reynolds, apparently the only gator along that stretch of coastline. And this same tall, handsome black mayor had a hot romance with the local doctor's pearlescently platinum daughter, and no one took a shot at him - or, for that matter, even noticed. There are some fine and admirable people in Alabama (our Alabama), but Bluebell and its citizens aren't among them. Their home is much farther from here than Fringe's Over There, and those who can't abide an alternate-universe tale should steer well clear. - JohnMatt Roush: Letter of the month! Kudos! Thanks for the laugh. But even an offhand comparison to the bliss of Gilmore Girls feels like sacrilege. Yes, Stars Hollow had more than its share of precious qualities, but the premise, the characters, the rapid-fire dialogue were all so distinctive and smart, truly charming, leaving a happy afterglow and not the sense that you'd just bitten into a poisoned praline. You're right. The Fringe team really should be called in to investigate these aliens in Bluebell.Question: When are they going to realize that without Charlie Sheen, Two and a Half Men stinks?!?!?! The character of Walden is ridiculous, they brought back Herb's sister as Walden's wife (what's with that; do they think viewers are too stupid to remember the actress [Judy Greer] as the one who broke Charlie Harper's heart?), they're wasting Jake and Berta's characters, and as much as I like seeing more of Alan, one person can't carry a show. Did Charlie Sheen do moronic things? Yes. Would a mentally fit person do the things Charlie Sheen did? No. The man has a mental illness. Now that he seems to be taking his medication or getting help in some way or another, Charlie Sheen needs to "man up" and apologize to Chuck Lorre and the rest of the Men staff in whatever way they deem acceptable (privately, publicly, huge donation to a favorite charity), Lorre and company need to accept said apology, and they need to get the show back to what it has always been about: Charlie Harper and his hysterically vile lifestyle. JMHOPeople who have mental illnesses have relapses and setbacks. Being mentally ill is no different than having a medical problem such as diabetes. If Charlie Sheen had stopped taking his insulin and gone into a diabetic coma, spent copious amounts of time in the hospital to recoup, would they have fired him for that? No, I don't believe so. And believe me, a diabetic whose blood sugar has dropped can say and do some outrageous things. If they wouldn't fire a diabetic who behaved poorly, why should it be OK to fire someone who is mentally ill?!?!? That is wrong on so many levels. Thanks for letting me vent. - Cindy LynnMatt Roush: Vent all you want, but that ship has sailed. Charlie has moved on, developing a new sitcom (Anger Management) for FX, which is likely to be one of the most anticipated and analyzed comebacks in TV history. I recommend you read Michael Schneider's excellent and thoughtful interview with Men's executive producer Chuck Lorre, who was already well acquainted with substance abuse and recovery well before the Charlie Sheen debacle went into its final tailspin. These decisions weren't made lightly, and there was no guarantee the show was going to come through it, but regardless of your feelings for Men 2.0, it's doing better than CBS and Warner Bros. could have anticipated. I'm not arguing the show wasn't better in its original form - it was - and if they could have kept it going with Sheen on board, they would have. But he made it impossible, and there's no rebuilding that nuked bridge. The best news would be that Sheen, now that he's put his public rantings and self-congratulatory embarrassment of a concert tour behind him, is on an actual road to recovery and Anger Management is as good a fit for him as Men was. If, that is, the rest of the public is as forgiving as you are.Question: I'm a huge fan of the Owen/Cristina pairing on Grey's Anatomy, but I haven't been thrilled with their storyline for the first half of the season. I can live with the abortion that took place early in the season, because it would seem that it would provide a deep, engaging storyline for the characters and for the amazing Sandra Oh and Kevin McKidd to act out, but there has been very little fallout thus far and almost no reaction on the part of either character aside from the first couple of episodes of the season. There hasn't even been the usual brilliant, subtle expressions that Sandra Oh is so good at to indicate that Cristina is at least thinking about the impact on her marriage, such as during the scene in [episode 5] where she is fawning over Zola, Derek and Meredith's baby, and Owen leaves the room. Do you think the lack of reaction and the delaying of any real discussion of the abortion is due to contract talks taking place and whether or not Sandra Oh will come back next season, and do you think that the dragging out and lack of addressing the issue over the first half of the season has done damage to the pairing in the long term, assuming Sandra Oh comes back? It's very difficult to understand where the writers are going with Cristina and Owen or whether or not it is worth sticking out the rest of the season to see if the situation will be addressed at all. - MichelleMatt Roush: Seems to me it's more a case of the writers not wanting to belabor (no pun intended) this particular storyline. The dynamic in the scene you described between Cristina and Owen, with Zola as the catalyst, said volumes without it having to be spelled out. Sometimes less is more, though I imagine "shippers" wouldn't be satisfied until these characters get their own spin-off. I doubt the ongoing contract uncertainties have that much to do with how the first half of the season played out. That's no way to write a show. And should both actors stay on Grey's, which I hope they do, I don't think long-term damage has been done, if any. This situation is something that will always be a part of their history, and who's to say it won't come up at the next turning point in their relationship? The way these actors played out their roles in the midseason finale, in the wake of Henry's death on the operating table, with Cristina's meltdown seen but not heard, is the kind of drama I'm more interested in, anyway, and I'm gratified that Grey's can still deliver the goods when it wants to this long into its run.Question: I have written you before about CSI: Miami. I have commented on some of the things that Horatio does. After the Dec. 11 episode, I wonder why I still watch. The writers have ruined this show by the way Horatio is being written. The team will criticize people for taking the law into their own hands. The end of the episode shows the child molester hanging from a balcony. He tells H that he has to help him. H says, "Do I?" and then lets him fall to his death. Apparently H is now judge, jury and executioner. I am almost hoping that the last show has him on trial and going to prison for the stuff he's done. There was that incident in Brazil and he punched a suspect that was being questioned on Dec. 4. - FosterMatt Roush: If your scenario ever plays out, with Horatio brought back to earth from whatever delusional superhero Valhalla he thinks he's operating in, I might actually watch. But until then, I just have to echo the most pertinent part of your commentary, namely: Why again are you still watching?Question: Long-time reader of TV Guide Magazine and fan of your column. I am a voracious reader and have been a fan of Stephen King forever. In your review of Bag of Bones, you describe the "rearranging the magnetized letters on his fridge door." You call it a classic King touch: the fantastic within the ordinary. Completely true. However, I dare suggest, that the first time I read that "classic King touch" was in a book by Dean Koontz. The book, Watchers, was about a golden retriever. A very special golden retriever who used Scrabble letters to spell out words. From what I've read, King and Koontz are at least acquaintances, and probably genuine friends. I would be willing to bet that particular "classic King touch" started with Dean Koontz. Just sayin' ... - DavidMatt Roush: Good catch. And you may be right. Like you, I'm a longtime King fan (not so much with Koontz), though Bag of Bones is one of his books that didn't grab me or stick with me - it was still better than the miniseries - and I can't say if the magnetized-letters trick was his invention or not. I guess there are only so many ways for spirits to reach out, and I might have been even more impressed if Scrabble tiles had been used. But thanks for reading, and for writing.And that goes for everyone who has written in and/or followed this column through the year. That's a wrap until 2012, and I can't thank you all enough for keeping me challenged and entertained with your questions and comments. Please keep them coming to askmatt@tvguidemagazine.com, and we'll pick up the conversation again in the new year. In the meantime, have the happiest of holidays in anticipation of what I hope will be a Smash-ing 2012 TV year!Subscribe to TV Guide Magazine now!

Wednesday, December 14, 2011

Berlin uncovers next Generation

BERLIN -- Sex and religion and also the desiring lost parents are some of the prevalent styles apparent within the first choices for that Berlin Film Festival's children and youth sidebar, Generation. Coordinators introduced the very first 14 movies which will unspool within the section, such as the world premiere of Rebecca Thomas' U.S. pic "Electrick Children." Rory Culkin and Billy Zane star within the tale of the youthful Mormon girl who thinks being pregnant to become caused by an immaculate conception, while her essentially religious family regards it as being an intolerable transgression. Inside a similar vein, Marialy Rivas' Chilean drama "Youthful & Wild" concentrates on a woman whose sexual adventures puts her at odds together with her evangelical parents. They're among eight features to date selected for that older-skewing Generation 14plus, that also includes the planet premiere of Gabriel Marino's "A Secret World," in regards to a schoolgirl who sparks on the harmful journey across Mexico in search of her dreams. Other game titles include Ella Lemhagen's Swedish crime drama "The Crown Jewels," starring Bill Skarsgard and Alicia Vikander Simon Staho's Danish-Swedish teen musical "Love Is incorporated in the Air" and Angelos Abazoglou's Greek-British "Mustafa's Sweet Dreams," in regards to a teen striving to become master baklava baker in Poultry. Also unspooling are "Off Whitened Lies," Maya Kenig's Israeli-French family drama set from the backdrop from the Second Lebanon War and Han Lee's South Korean title "Punch," in regards to a boy handling a cruel and disciplinary teacher. The six photos to date selected for that Generation Kplus tyke section include Indonesian helmer Kamila Andini's "The Mirror Never Lies," in regards to a youthful girl who's still convinced her father will return from fishing the oceans and Nicole van Kilsdonk's Nederlander title "Taking Chances," in regards to a young girl who still hopes her father will return from the distant war despite his disappearance on the medical save mission. Also screening are "Kauwboy," a Nederlander film by Boudewijn Koole, in regards to a youthful boy who switches into a motherless baby bird Alice Schmid's Swiss doc "The Kids in the Napf" Janno Poldma and Heiki Ernits's Estonian-Latvian animated film "Lotte and also the Moonstone Secret" and Rommel Tolentino Filipino pic "Nono." The Berlinale runs February. 9-19. Contact Erectile dysfunction Meza at staff@variety.com

Tuesday, December 13, 2011

Burn Notice Exclusive Sneak Peek: Is Fiona Out?

Gabrielle Anwar Is Fiona throwing in the towel?On the Burn Notice season finale (Thursday, 10/9c, USA), Fiona (Gabrielle Anwar) and Sam (Bruce Campbell) are tasked with keeping an eye on Anson (Jere Burns) while Michael (Jeffrey Donovan) leads his biggest mission yet. But as seen in this exclusive clip, she's fed up with being at a standstill as Anson's plans kick into gear. VIDEO: Burn Notice's Bruce Campbell on taking down Anson and the Evil Dead remake"To hell with this! I'm done," she snaps before driving off.Watch the clip to see how Sam tries to rectify the situation:

Monday, December 12, 2011

George Lucas on 'Indiana Manley 5': 'I Really Haven't Found the MacGuffin Yet'

Because you couldn't avoid this slow-news Monday without a bit of improving ("improving") from George Lucas on 'Indiana Manley 5,' here you're going: the super-producer doesn't have a very cemented idea for your fifth film, despite protestations by Steven Spielberg on the other hand. "Really, I told him I didn't have it yet," Lucas told Vulture when asked for about Spielberg's recent quotes the concept for film five was made a decision upon. "I told him in regards to the story, however really haven't found the MacGuffin yet. I'm speaking about, I experience how it is all about, however i must search for a MacGuffin that suits to the arena we operate in.In . Translation: status quo! Speaking about 'Indiana Manley 5,' Spielberg told EW it had been "around George. We have already made the decision around the genre in the fifth movie, finances a concept in your head. I am unsure where George is to apply the story. There is no 'Indy 5' until George states there's." Based on Lucas's recent comments, it might seem like you will notice an 'Indy 5' ... eventually. Maybe. Probably. Should not you be searching toward another handful of years of these updates? [via Vulture] [Photo: AP] Follow Moviefone on Twitter Like Moviefone on Facebook

Friday, December 9, 2011

'Girl With the Dragon Tattoo' Hard Copy Video Looks Into Mystery

The "feel bad movie of Christmas" doesn't open until Dec. 23, but in the meantime, you can delve into the secrets of 'The Girl With the Dragon Tattoo' with a new viral video. Posted to Mouth Taped Shut is what seems to be an episode of the old 'Hard Copy' tabloid TV, complete with cheesy reenactments, cheesy '80s hair and lo-res, seemingly 30-year-old VHS. The 'Swedish Mystery' episode delves into the death of Harriet Vanger, which is the central mystery at the heart of 'Tattoo.' 'Hard Copy,' for what it's worth, ran from 1989 to 1999, occupying a pre-E! niche of celebrity crime stories, inspiring the 'Rock Bottom' parody on 'The Simpsons' episode 'Homer Badman.' [via HuffPo] Follow Moviefone on Twitter Like Moviefone on Facebook

Wednesday, December 7, 2011

Dobie Gray, 'Drift Away' Singer, Dies at 71

TNT is trying its hand at another medical drama.our editor recommendsSherry Stringfield, Virginia Madsen to Star in TNT Telepic 'Hornet's Nest'Justin Bieber, Cee Lo Green to Perform at TNT's 'Christmas in Washington' SpecialTNT Targets 'The Closer,' 'Rizzoli & Isles' Fans with Weekend Event Sweepstakes Mere months after pulling the plug on HawthoRNe, the Turner network has ordered a pilot for Chelsea General, a new medical series fromproducerDavid E. Kelley(Ally McBeal,Chicago Hope) and practicing neurosurgeon and CNN chief medical correspondentDr. Sanjay Gupta, M.D. Kelley penned the pilot, which isbased on Gupta's upcoming novelMonday Mornings. The book follows the lives of five surgeons as they push the limits of their abilities and confront their personal and professional failings. It uses as its backdrop their hospital's weekly morbidity and mortality conference, when doctors gather with their peers for a confidential review of complications and errors in patient care. Kelley and Gupta will executive produce. "Chelsea Generalpromises to be a smart, witty and extremely powerful medical drama, the kind of series David E. Kelley is renowned for making," said Michael Wright, executive vice president head of programming for TNT, TBS and Turner Classic Movies. "We look forward to working with David and Sanjay in bringing the doctors' fascinating stories and characters to television." Kelley, whose Harry Law is in its second season on NBC, is repped by WME, Original Management and Gendler & Kelly. PHOTO GALLERY: View Gallery 10 Broadcast and Cable TV Show Most Watched By Men Related Topics David E. Kelley TNT TV Development

Tuesday, December 6, 2011

'Star Wars' Icon Chewbacca Invades 'Glee'

I feel a great disturbance in the Force late last week Matthew Morrison of "Glee" told Jimmy Kimmel that next Tuesdays episode will include a throwback and a tribute to the Star Wars Holiday Special and the Judy Garland Christmas Special. And -- wait for it -- Chewbacca will be in it. While I would never utter a derogatory word about Judy, the Star Wars Holiday Special is another matter entirely. Widely regarded as one of the most tragic TV disasters of all time, the 1978 special included the entire core cast of A New Hope doing, saying and singing truly vomit-inducing things. George Lucas never hid the fact that he found the project contemptible, so why on Hoth would he give the makers of Glee permission, as Morrison said, to use Chewbacca (not Peter Mayhew but the official Chewy nonetheless) in their Christmas episode? My only wish is that the Glee folks give the Wookiee the respect he deserves (his Lifetime Achievement Award at the 1997 MTV Movie Awards was indeed well-earned). If hes treated like a big walking carpet, it will be the last Glee episode I will ever see. Tell us what you think in the comments and on Twitter!

Monday, December 5, 2011

Peter Weller, 'Robocop' Star, Joins 'Star Trek 2'

Remember: wherever Peter Weller goes, there he's. Deadline has reported the star of sci-fi classics like 'The Adventures of Buckaroo Banzai Within the Eighth Dimension!' and 'Robocop' has grew to become part of the cast of J.J. Abrams' approaching 'Star Trek' follow-up inside an unspecified role. Weller stood a very busy 2010, guest-starring on 'Dexter,' 'Psych' and 'Fringe,' the Abrams-created sci-fi analysis show on Fox. Then when he is not busy acting (or serving the very best Directive), he's busy teaching at Syracuse College and producing a Ph. D in Italian Renaissance art history at UCLA. Casting news for part two remains starting to warm up formerly day or two while using gossips that Alice Eve might have the feminine lead, and Benicio Del Toro might be the villain, nevertheless it certainly won't be Khan. Trekkies will probably be quick to point that Weller came out on 'Enterprise' as Ernest Paxton, the commander from the moon-based colony, who introduced a deal to kick all extraterrestrials from Earth. Fans however, probably shouldn't expect him to reprise the role, considering these new movies are dedicated to restarting the large 'Star Trek' mythology. So Spock can relaxation easy on that particular. The still-untitled 'Star Trek' follow-up won't reach theaters until May 27, 2013 -- the required time to acquire really impatient. [via Deadline] [Photo: Getty Images] Follow Moviefone on Twitter Like Moviefone on Facebook